Radiophonic Work: Final Outcome.

When I finished my piece, I sent it to the dubbing engineers that were collecting all the individual pieces and then joining them together to create a single composition. My piece was set after a peer composition that was based on The Myth of Sisyphus, from Albert Camus. I was very glad of this because that essay was one of my biggest inspirations when researching my concept. That piece contain recording of rocks rolling down, representing the rock that Sisyphus has to push up hill. My piece harshly interrupts the ending of the Sisyphus piece with a very loud News anchor sound effect, breaking through and giving my piece power and focus, such as a breaking news report would do.

Before sending my last draft, Ed Baxter a producer of Resonance FM, gave me a little bit of feedback of my composition. He thought my piece could be perceived as a bit insensitive for radio. I didn’t totally agree with his observation because I did the composition insensitive on purpose, with the outcome of creating an accurate representation of modern news. Even though that, I did water down a bit my composition by lowering the volume of the news in their worst part to make them less obvious.

Another observation that Ed gave my was that my piece was very American orientated and I totally agreed with him. Almost every news I used were about the US. I think that this is the thing that I most regret in my composition and for the next time I will avoid referencing the US, because I am also tired of American centralization of media.

Radiophonic Work: Radio Barrio.

Radio has an incredibly intimacy capability, being able to transport the listener to different conversations in sonic journeys. Aire Libre 105.3 fm (Free Air) is my favorite radio station based in Mexico City. This station has become notorious because of its experimental programming and its focus on social justice. One of my favorite programs of Aire Libre is Radio Barrio (neighborhood radio), this program consist of broadcasting in different neighborhoods of Mexico City, where they explore the neighborhood native music and art scene. Its basically a sonic journey through a city.

The episode above of Radio Barrio is set in the National Autonomous University of Mexico (Radio Barrio, 2019). The episode explores the current art scene of the students and the sociopolitical problems they are facing. I thought it was very interesting and I felt as if I was visiting the university among the radio conductors.

I love the concept of Radio Barrio and I would like to try a concept similar to it. With tools like Locus Sonus I could also broadcast from different locations, creating sonic journeys and experiences.

Radiophonic Work: The news collage.

My concept for my part of the project was to create a collage of news reports that were absurd. For this I tuned to the current news and started to observe and analyze it’s content. Two main things impressed me about the news. The first one was how normalized tragic news are, they where so frequent and people didn’t seem to react about them. The second was about the abundant negativity in every news, almost every article had a negative outcome, no matter what the category. This inspired me to include among absurd news, normalized tragedies and negative news. With this creating a parody of modern news and trying to expose its absurd nature.

I started my piece with a report about African refugees crossing the mediterranean for life opportunities in Europe. Then this report faded away into reverb followed by my first absurd news. The second report was about a group of youths asking for social media followers in a court case prosecuted against them. Both news juxtaposed very extremely and that was just my objective. Later on I continued juxtaposing extreme news with really absurd ones, even sampling news from cartoons to combine reality with fiction, trying to make the piece somehow surreal. At the end I included some news of Mexico, to make the piece more intimate with myself. I ended the composition with news about the horrible insecurity problems of Mexico, juxtaposing them with gossip news about the Mexican celebrities. I wanted to expose how modern news give more importance to superficial news for example celebrities having kids, instead of national problems.

Radiophonic work: Inventions for radio no. 1 -The Dreams.

Inventions For Radio No.1- The Dreams, was first broadcasted in 1964 in BBC radio (Discogs, 2014). This piece is by the famous english experimental music composer Delia Derbyshire collaborating with the author Barry Bermange. The piece is a collage of interviews of random people, were these people describe their dreams. This collage is supported by electronic music that conducts the emotions of each description. The piece in general is very sinister, most of the dreams are nightmares, were people are running from something, creating the feeling of anguish (anton newcombe, 2012).

Because one of my goals in my radio composition was to alienate the listener, this piece was a great form of inspiration. I decided to include an electronic drone similar to the one in Derbyshire’s piece. This drone would create a never resolving tension that would leave the listener in anguish. I wanted to take this idea to the next level by also including a field recording of a train passing really near by, overcharging the piece with noise, making each sonic element of the piece unidentifiable.

Radiophonic Work: Absurdism

Collectively, our group decided to choose the theme of absurdism for the piece that is going to be broadcasted in radio. We chose absurdism because of the absurd nature of the current world, also we felt compelled to do a piece that caressed of a single meaning.

My first approach to undertaking this theme was to investigate absurdism and choose a direction to take when composing my part of the piece. Absurdism is defined as “a philosophy based on the belief that the universe is irrational and meaningless and that the search for order brings the individual into conflict with the universe” (Merriam-Webster, 2020). The word that standout for me was irrational, and inspired me to expose irrationality in the radio and news.

One of my peers of the group explained that he would base his piece in The Myth of Sisyphus, by Albert Camus. This essay exemplify the concept of absurdism by referencing the greek myth of Sisyphus (King, 2019) . The essay explains that the task of Sisyphus is totally pointless as all human endeavors and that we should find our own meaning in pointless actions. This concept also resonated a lot in my ideas.

I decided to expose absurdism in the news, making a collage combining news pointless news and real horrifying news. This creates a uncomfortable aspect to my piece, and I expose irrationality in current news.

Experimental Eurorack modules

Eurorack format has become incredibly trendy recently, having lots of module manufacturing companies that are launching new and experimental modules. Modules are becoming weirder and more innovative, some of them containing uncommon things for example dirt and radioactive substances. The blog Create digital Music (2015) has published an article introducing some of these crazy new modules.

I was amazed by the creativity in the creation of these modules, it’s a great example of how thinking outside of the box can contribute so much on inventions. I don’t know anything of modular electronics but when I do and start developing my own modules, I will try to make my modules with the same creativity as the engineers and developers of these modules.

Tomoko Sauvage

Tomoko Sauvage is a japanese-french experimental music composer and performer. Her work became notorious because of an instrument she created, consisting in porcelain bowls filled with water and containing a hydrophone inside of it, making it the first electro-aquatic instrument (Sauvage, 2021). With this instrument she is able to create very complex sounds, creating evolving performances.

After finishing her studies, Sauvage became very interested in hindustani music . She discovered an instrument called jalatharangam, that consisted in porcelain bowls filled with water, where the performer rubbed the edges creating rich tones (Sonic Acts, 2020). This instrument was Sauvage biggest inspiration, her electro-aquatic instrument is a modern evolution of this instrument. I am really impressed with the idea and I would like to attempt something similar. Going back to an old instrument and find a way to modernize or creating an instrument using different uncommon microphones.

Electrical Walks

Electrical Walks is a an artistic project and concept created by the german sound artist Christina Kubisch. Basically, electrical walks is the concept of taking a walk with a pair of headphones that are design to detect electromagnetic induction, making possible hear all the electromagnetic sounds created by electronic technology, from mobile phones to electric stair cases. This concept is somehow similar to field recording and sound shaping, but it has the amazing capability to detect sound that are invisible to the naked ear. Virtual walks Oslo, is a project where Kubisch recorded different electrical walks around Oslo and then created an interactive site where people can see 360 degree images of the sites and hear both its normal ambience and its electrical sound (Kubisch, 2019). This creates different perspectives in which you can experience a place, making in a sense, visible the invisible.

I have used induction coil microphones that have the capability of picking electromagnetic signals before, but I have never experienced something similar as doing an electrical walk. I am tremendously curious of doing one and I wonder in how many ways could be used artistically. An idea that could be interesting is: instead of using field recording and ambient recordings to set an atmosphere in film, using electrical walks recordings to set the atmosphere of a scene in a movie.

ASMR in Sound

ASMR or autonomous sensory meridian response is a sensory phenomenon caused by specific auditory and visual content that induces on the person experiencing them, a calm and relaxed state, similar to meditation (Lloyd, 2017) . In sound, ASMR can be triggered with specific pleasant sounds, for example whispering. ASMR can also be triggered by the repetition of a specific sound, that is in its nature very hypnotic. Recently, this phenomenon has become a You Tube trend, with millions of videos that oscillate in different forms and art styles.

Minimalism is a music genre that can create an ASMR, because of its repetitive nature and trance inducing capabilities. The composer Aimée Portioli, a.k.a Grand River, is a dutch-italian composer based in Berlin, that is known for her minimalistic structuralism and creative sound design. She did a performance with collaboration of Fact Magazine, where she exploited her trance inducing capabilities with a looping composition made with acoustic and electronic instruments. In the bio, the writer defined the piece as ASMR quality, created by the rich textures of its sound design (Fact, 2021). She uses sophisticated synths like the Buchla Music Easel and different Euro Rack synthesizers, creating a rich palette of sound.

My composition is deeply influenced by repetitive electronic music, because of its hypnotic nature. I always wanted to make my compositions trance inducing and have a calming effect on the listener. Unconsciously I’ve always wanted to have an ASMR quality on my compositions but I never quite achieve it. Reflecting back on Grand River’s composition, I think these qualities can be achieve with a creative and powerful sound design. As I don’t have the resources to get expensive synthesizers as the once she uses, I could start searching for sounds sources that are outside of my comfort zone. For example acoustic instruments as the ones used in her composition, and with them attempt to create an ASMR texture.

Lisa Busby

Lisa Busby is a Scottish composer, singer and producer of experimental electronic music. Her work is notorious for using unconventional composition techniques such as using non standard musical notation. Busby also uses a lot of literary techniques in her composition, mixing spoken word and poems with electronic beats. With these techniques, Busby achieves to create a narrative that caught’s the listeners attention.

Proposal For A Song is one of Busby’s pieces that I most enjoyed. Creating different textures with the noisy looping sound of vinyl and using beautiful melodies with her voice, Busby creates a really emotional performance. By using her voice the piece has much more intimacy and as said before it hooks you to a narrative. She uses a lot of experimental turntablism (Busby, 2019) in her work, I really liked this aspect of her work and I think I could implement something similar to mine. I could try to sample some of my personal favorite records and include them in my pieces, to try and make my pieces have more intimacy such as Proposal For A Song Has.

Another characteristic that Proposal To A Song has is an unconventional structure. The piece have different sections that are very un similar from the one before, but they fit well together. In my piece Behind The Window, I also approached a non conventional structure but the transition of every section are not as smooth as the piece by Busby. I could use her work for inspiration for my next piece to smoothen my transitions and that way create a successful non conventional structure. Attached below my piece Behind The Window.