Nichol’s 6 modes of documentary is a frame work theory of the different sub-genres of documentary making. Originally this theory was specifically created for film documentary but the modes can be adapted for argumentative sound studies, and other written essays sound art works. I will take in consideration this theory when analyzing different documentaries and when creating my audio essay assessment, the modes are of great use when doing the assessment because of its performative value.

Poetic Documentary- Arriving to the point of the documentary through rhythm, tone, or spatial juxtaposition to evoke an association with the audience. e.g Soviet Montage Theory.

Expository Documentary- Builds a specific argument or point of view for the audience. A common technique is using an obnipresent narrative voice, dictating the evidence.

Observational Documentary- Capturing the point of interest without disturbing the subject with purpose of getting raw true material.

Participatory Documentary- Subject participate directly with the creator of the documentary. Normally it is in an interview mode.

Reflexive Documentary- Relationship of the creator with the audience. Giving a deeper intake in the experience of the creator of the documentary.

Performative Documentary- Emphasize truth as relative, the audience have the decision to which point of view to take.